Lina and I were coming back home to East Harlem from work and she had given me a lift in her car. We started talking about public art since she had recently completed an installation at a park in Queens. Somehow we started talking about doing a mural on a large wall here in East Harlem, but that was not going to work out since the owner was not going to allow it. Nonetheless, the idea took its own life and when it came time to fill out the grant applications for the Lower Manhattan Cultural Council, Lina got us to design the work and fill the application.
The process of designing the sculpture, which was and is going to be a fountain, took a couple of meetings in which I drew some preliminary designs. Originally, the sculpture was supposed to be a voluptous woman whithin the style I have been working with in the past years. We did one, but then decided to change it to incorporate more of Lina's style. We reworked it after the application had been sent and Lina called the LMCC to tall them that we had put in the wrong drawing! They said we could send it in and she did.
The day we worked on that drawing was wa Friday. I remember because I arrived at her apartment exhausted and depressed after a long week of work. I really did not know how to start working, but as we began to work with drawing and clay, I felt much better. The feeling, however, was an indication of what was to come throughout this entire adventure. As artists struggling to both make a living a create art in this city, creating any kind of serious artwork is a great, immense, challenge.
But we struggled and one day got a phone call announcing that we had gotten the grant.